![]() Sometimes those things contradict the ageing things that happen to someone else. And they see things that happen to them or their parents, and kind of extrapolate that that happens to everyone. Everybody is acutely aware of their own ageing, and then also the ageing of their parents and things like that. ![]() So there’s a lot more subjectivity in terms of the filmmakers. Because unlike de-ageing where you are aiming towards a reference, with ageing there’s nothing to go off of. There was a lot – a tremendous amount, actually – of lookdev that was involved. Try and get the angles and things that we need so that we would have that on set reference for lighting and textures. Hold this pose, hold that pose, that sort of thing. He would watch whatever Chris did on set and duplicate it as well as he could, then I would direct him to look a little more to his left, look a little more to his right. In this case it was a gentleman named Patrick Gorman who’s a really phenomenal actor. And we shot Chris doing all the takes and the performance first, just like we’ve always done with de-ageing, or even with skinny Steve back on the first Captain America.Īnd then we shot a picture double. ![]() That was in Atlanta – it was actually at a farm outside of Atlanta. So he looked kind of strange on set! He looked like young Chris Evans but with an old neck and crow’s feet. Looking back at problem solving in VFX with Ben SnowĪnd then Chris wore tracking dots on the rest of his face.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |